{"id":3584,"date":"2026-07-25T10:08:19","date_gmt":"2026-07-25T10:08:19","guid":{"rendered":"https:\/\/interstatelogisticshubs.com\/?p=3584"},"modified":"2026-07-25T10:08:19","modified_gmt":"2026-07-25T10:08:19","slug":"christopher-nolans-hubris-why-hollywoods-corruption-of-the-odyssey-matters","status":"publish","type":"post","link":"https:\/\/interstatelogisticshubs.com\/?p=3584","title":{"rendered":"Christopher Nolan\u2019s Hubris: Why Hollywood\u2019s Corruption Of The Odyssey Matters"},"content":{"rendered":"
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Christopher Nolan\u2019s The Odyssey<\/em> has clearly become a flashpoint in the broader culture war, and this war took a strange turn after the release of the film found many conservative pundits applauding the film while expressing condescension and confusion about why some other conservatives may be extremely critical of it.\u00a0 Ben Shapiro, for example, suggests that criticism of the film is often \u201cnot in good faith,\u201d and is an example of how conservatives get too caught up in \u201coutrage culture,\u201d or some such.<\/p>

Read more Women Are Running the World\u2019s Great Museums Into The Ground<\/a><\/p>\n

It is worth noting, however, that the criticisms of Nolan\u2019s creative choices in this movie aren\u2019t limited to the political right.\u00a0 One very unexpected and stinging rebuke of Nolan\u2019s film came from Emily Wilson, whose translation of The Odyssey<\/em> is admittedly predicated upon the classical poem being seen through a modern feminist lens, and hers is a translation that Nolan himself has suggested was hugely influential in the making of his film.<\/p>\n

Wilson clearly doesn\u2019t feel like Nolan captured the Odysseus of Homer\u2019s story.\u00a0 \u201cThe film presents an Odysseus,\u201d she says, \u201cwho feels very bad about things that he\u2019s done in war, and is struggling to process them in a very modern, psychiatrized [sic] way.\u201d<\/p>\n

\u201cI kept looking in vain for a sense that this was a film about glory.\u00a0 This is a film that has an interest in shame, but I don\u2019t think it has any interest in glory,\u201d she says, but \u201cit is very much in tune with things that Nolan has been obsessed with his whole career<\/em>, so if you\u2019re a Nolan fan, I think you\u2019ll like this movie <\/em>[emphasis added].\u201d<\/p>\n

There is an irony in all of this.\u00a0 Emily Wilson is suggesting, very openly, that Nolan chose to tell a different story, framed around different themes that are the \u201cobsession\u201d of his filmmaking, rather than telling the actual story of The Odyssey<\/em> which has existed for thousands of years.<\/p>\n

The Greeks called this sort of thing hubris<\/em>, and incidentally, it was in my reading of The Odyssey<\/em> as a child where I first encountered this storytelling concept, because it was a central feature of the character of Odysseus.\u00a0 Not only does Nolan completely ignore this central theme in the story, but he supplants this concept with themes that are familiar to all other Nolan movies \u2014 guilt, trauma, psychological burden, and so on.<\/p>\n

In The Odyssey<\/em>, which Emily Wilson is kind enough to remind people is not \u201cthis movie,\u201d Odysseus and his men encounter a massive giant cyclops named Polyphemus.\u00a0 After eating some of his men, Odysseus, being the trickster that he is, engages the giant in dialogue.\u00a0 Hiding his identity, he tells the giant that his name is \u201cNobody.\u201d<\/p>\n

This allows, in Homer\u2019s story, for a bit of fun with the audience.\u00a0 When Odysseus blinds the giant, he begs help from other cyclopes, suggesting that \u201cNobody has blinded me!\u201d\u00a0 The other cyclopes naturally found that to be nonsense, and did not attend his injury.<\/p>\n

Sailing away, as Polyphemus blindly hurls boulders at his ship, Odysseus cannot remain anonymous, desiring glory as he does, so he screams, \u201csay that Odysseus, sacker of cities, blinded you, the son of Laertes, whose home is in Ithaca.\u201d<\/p>\n

This is a central theme of the poem, and one that completely vindicates Emily Wilson\u2019s criticism of Nolan\u2019s film \u2014 far from being shameful about his role in the war, he is so proud of it that he simply cannot allow this episode of his ingenuity to take place without reminding a random, blind giant that he is the one who blinded him, and he is the one who sacked Troy.<\/p>\n

In the story, Polyphemus prays to his father, Poseidon, who curses Odysseus.\u00a0 After which, his long odyssey ensues.<\/p>\n

In short, this brief event is fundamental to the character and to the story as a whole.\u00a0 It is symbolic of his pride in believing that he was too great a man to be held accountable for his actions.\u00a0 Nolan ignores this entirely, opting instead for a more silent, albeit terrific-looking sequence.<\/p>

Read more Systemic Advantages Of The Transgender Paradigm (Satire)<\/a><\/p>\n

Nolan suggests that his reasoning for having little dialogue in this scene is that the pun doesn\u2019t work in modern English.\u00a0 I do remember my days in college in which we discussed how puns from Greek comedies don\u2019t really translate to modern English, particularly in some works like Aristophanes\u2019s\u00a0Lysistrata<\/em>.\u00a0 But this is not that<\/em>, certainly.\u00a0 The Greek word \u201coutis\u201d clearly translates to \u201cnot anyone.\u201d<\/p>\n

Who knows? Maybe Nolan simply thought it\u2019d be silly to have a giant cyclops talk to a human, or that it would lessen the story immersion for audiences to some greater degree than a small-woman-pretending-to-be-a-Greek-soldier, or sub-Saharan-African twin sisters being married to the two most prominent kings among the Greek kingdoms, or that Odysseus\u2019s first mate managed to get to Greece from India in order to boss around an oarsman from Korea or something.<\/p>\n

How did any of that happen?\u00a0 That\u2019s just Hollywood magic, I guess.\u00a0 But dialogue with a cyclops would be a bit too much for audiences to believe.\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n

The omission of Odysseus\u2019s hubris as the reason for his Odyssey is important, and interestingly something upon which Emily Wilson and I agree.\u00a0 Pretending that Odysseus was some PTSD-addled veteran who was numbing himself with drugs until such time that he got home is an outright bastardization of The Odyssey<\/em>.<\/p>\n

So, without Homer\u2019s reason for the journey as expressed in the poem, how can the resolution be any more in consonance with the poem?\u00a0 The answer is that it can\u2019t.<\/p>\n

If there were one central theme of The Odyssey<\/em> that could be defined, it is the concept of nostos<\/em>.\u00a0 This is the Greek term for \u201chomecoming,\u201d and particularly in this poem, this means the restoration of the appropriate order of things.\u00a0 Odysseus returning home meant that he would again be a husband to his wife, a father to his son, and a just king for his subjects.<\/p>\n

He has the responsibility to do this, and it is a good thing.\u00a0 Many people are familiar with the phrase, \u201cwith great power comes great responsibility,\u201d as it has been made famous by modern Spider-Man movies, but this is quite literally the very pinpoint of that idea\u2019s cultural origin in the Western world.\u00a0\u00a0<\/p>\n

Nolan does something different.\u00a0 He has his traumatized hero, who strangely endures shame but never sought glory (as is attested by Emily Wilson), get back home to Greece.\u00a0 He then\u00a0kills\u00a0the suitors who had been tormenting his wife and son, and who had been helping themselves to his own property in his absence, as he does in the poem.\u00a0 But after that, he and his wife go into exile, cowardly ridding themselves of their worldly responsibilities.<\/p>\n

There is so much more to say, but I imagine that all the currently loud chatter about this film will be quiet after a week or so until next year\u2019s award season.\u00a0 This film will almost certainly sweep those award shows, and it\u2019s already a box-office hit.\u00a0 But it won\u2019t be because this movie has anything to do with the central thematic concepts of The Odyssey<\/em>, or what has made it endure for thousands of years.<\/p>\n

Aside from the stupid choices around dialogue, storytelling, ultra-woke DEI casting, costume, and sound issues, the greater problem is that this movie has plucked the thematic heart out of the source material in order to make it an ancient-world character study in modern ideas about war-trauma that were far more meaningfully explored in films like The Deer Hunter<\/em>.<\/p>\n

But perhaps the greatest tragedy is that very few are trying to preserve the integrity of great Western stories like The Odyssey<\/em>, and would rather fangirl about how Christopher Nolan is the last auteur du jour<\/em> in America, and how his completely disrespectful treatment of the Homer\u2019s source material is beyond any \u201cgood faith\u201d criticism.<\/p>

Read more How the Left Naturalizes Sedition<\/a><\/p>\n

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\"ChatGPT\"<\/figure>\n<\/p>\n

Image generated by ChatGPT.<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Christopher Nolan\u2019s The Odyssey has clearly become a flashpoint in the broader culture war, and this war took a strange turn after the release of the film found many conservative pundits applauding the film while expressing condescension and confusion about why some other conservatives may be extremely critical of it.\u00a0 Ben Shapiro, for example, suggests […]<\/p>\n","protected":false},"author":1,"featured_media":3582,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,641],"tags":[1442],"class_list":["post-3584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-hollywood","tag-related-topics-hollywood-western-civilization"],"yoast_head":"\nChristopher Nolan\u2019s Hubris: Why Hollywood\u2019s Corruption Of The Odyssey Matters - Interstate Logistics Hub<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interstatelogisticshubs.com\/?p=3584\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christopher Nolan\u2019s Hubris: Why Hollywood\u2019s Corruption Of The Odyssey Matters - 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